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Burkina Faso: Volume 3

by Various- Burkina Faso vol.3

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about

Landmark recordings made in Burkina Faso by Hisham Mayet during three expeditions from 2013-15, housed in a breathtaking full-bleed slipcase with a 32-page booklet of Mayet’s stunning photography.

Despite political upheavals and the logistical complexities of recording in the bush, Mayet was able to compile a matchless overview of Burkinabé music from the Mossi, Bissa, Fulani, Dioula, Bobo, Samo, Lobi, Senoufo, and Bwaba people.

Volume 3 includes regional instruments such as the Donso ngoni (hunters’ harp). The Donso hunters are a mystical animist sect living in western Burkina Faso whose music is a source of protection and strength for the hunt. The Dioula are represented by one of Bobo-Dioulasso’s premiere ensembles, Fassobolomba, who fuse traditional styles with an impeccable ear for modern melody and songcraft. The thianhou and the jubilant wedding songs of the Fulani (Denke-Denke) round out the region’s musical embarrassment of riches.

credits

released November 5, 2021

Tracklist
1 Moukoro Zakaria, Moukoro Mahamadou– Grand Ngoni (Dioula) 2:35
2 Lasso– Ngoni (Senoufo) 7:57
3 Mossi Chant– Mossi Chant 1:39
4 Bomberi Willoho– Louo (The Farmer) (Bwaba) 4:28
5 Fassobolomba– Bougnabagnale (Dioula) 4:49
6 Troupe De Dédougou– Instrumental (Bwaba) 6:15
7 Siaka Tengrila, Soulyman Traore– Animal Tail 4:51
8 Yehou Téré Sedou Baba– Denke-Denke (Fulani) 5:30
9 Bomberi Willoho– Mabhaa (The Bachelor) (Bwaba) 2:46


Credits

Layout (booklet) – John Hubbard
Liner Notes – Hisham Mayet
Mastered By – Mark Gergis
Photography By – Hisham Mayet
Recorded By – Hisham Mayet

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Sublime Frequencies Seattle, Washington

SUBLIME FREQUENCIES is a collective of explorers dedicated to exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, other forms of human and natural natural expression not documented sufficiently enough by various communication channels. ... more

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