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Hadza & Datoga (Northern Tanzania) - Hadza Berimbau

from Music Of Tanzania by Various Artists

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  • SF096 2xLP Original sealed out of print Label archive copies
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    Music of Tanzania
    SF096

    Music of Tanzania is a spectacular collection of field recordings gathered by Laurent Jeanneau between December 1999 and March 2000. This debut volume of Sublime Frequencies’ exploration of indigenous Tanzanian music compiles sacred and profane songs and dances of the Hadza, Datoga and Makonde people. Highlights include stoned ecstatic dancing in a Hadza encampment; a drunken celebration of preteen sexual initiation from a Makonde fishing village; baboon imitations performed on the malimba; electrified Islamic trance percussion; and useful tips for amateur hyrax hunters. Many of these poignant, exhilarating performances come from dwindling minority groups whose way of life stretches back to the Stone Age, and who are capable of creating breathtaking music with anything from agricultural tools to tin cans and plastic tubes.

    Laurent Jeanneau is absolutely fearless in his pursuit of rare, exceptional and vibrant performances. He views his ongoing documentation of ethnic minority music as an act of resistance to globalization, state-sanctioned “peasant traditions” and cultural homogeneity, and accordingly spends months living under harsh and dangerous conditions in order to capture impromptu performances in their everyday cultural context. Using this method, Jeanneau has self-produced almost 100 albums preserving threatened musical traditions from some of the most remote regions on earth, in addition to compiling multiple volumes for Sublime Frequencies.

    Includes unlimited streaming of Music Of Tanzania via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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from Music Of Tanzania, released February 3, 2015

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Sublime Frequencies Seattle, Washington

SUBLIME FREQUENCIES is a collective of explorers dedicated to exposing obscure sights and sounds from modern and traditional urban and rural frontiers via film and video, field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, other forms of human and natural natural expression not documented sufficiently enough by various communication channels. ... more

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